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Wednesday 31 May 2017

No 30

MISCELLANY 30

THOMAS FROGNALL DIBDIN’S CULTURAL TOUR OF LINCOLNSHIRE (1818): IV




An Excursion to Southwell Minster

 It is the morning; bright, beautiful, and balmy. The blackbird's note is heard from the umbrageous ilex ; the trill of the chaffinch and linnet makes the heart dance with delight. The air is steeped in the perfume of a thousand roses. The pink, the sweetpea, and sweet-briar, are beset with the bee and the butterfly. All nature is as full of life as of fragrance. Who would not be stirring on such a morning,— beneath a canopy of fleecy clouds?
It was settled that at ten we should start for the ruins of Southwell Minster, taking Newark in our way. But first I made a somewhat familiar acquaintance with the miniature beauties of the churches of Caythorpe and Claypole, —the former constantly in view from my friend's drawing-room, the latter directly in the road to Newark. The charm of Caythorpe is its tall and tapering spire, perhaps too elevated for the tower or base. The interior is rather singular, the roof being supported by a tier, or screen, of three arches, precisely in the centre of the body, and immediately under the apex of the roof. The dimen sions of the church are sufficiently diminutive; but its situation, and the church-yard, are anything but despicable. I must not forget to notice that, on the screen—which divides it from what may be called the chancel—that there has been a representation, in distemper, or body-colour, of the "Day of Judgment," now so thoroughly embedded in white-wash, as to render the draft of the design very imperfect, if not unintelligible. On enquiry into the cause of such a barbarous act, the clerk informed me that " the churchwarden was so desperately fond of the brush this church is in all respects a nobler, as well as more ancient, building. An immediate edict should be issued by the Corporation, to dispense with all the houses which flank and conceal this noble edifice in the square opposite the " Clumber Arms," the principal inn of the town. The Newarkites can have no notion of the grandeur of their church, elbowed and smothered as it now is, by such an immediate neighbourhood of brick and mortar: and I feel abundantly persuaded that the Rev. John Sykes, of the Chauntry House—who rejoices in such a collection of relics, connected with the town and the church, as might startle even the most curious, and disarm the most sceptical,—would be among the first to rend the air with an "hurrah!" were such a neighbourhood removed. The body of Newark Church is of greater dimensions than that of Grantham; and the height of the nave, on entrance, is full sixty feet. The clustered arches which form the basis of the tower, exhibit a specimen of architecture, as remarkable for its substantiality as neatness. One might suppose it capable of sustaining the dome of St. Paul's. If there be not much to attract the minute attention of the antiquary, in the exterior of this edifice, there is not a little to amuse, and perhaps horrify him, within. Why was the organ placed over the rood-loft, to intercept the view of the chancel and Ladye Chapel? —and why has this most curiously and elaborately carved screen, or rood-loft, been desecrated by that yellow ochre poison, which churchwardens seem to have an exclusive and prescriptive right to administer, and to make the people swallow? Away with this repulsive stain; and place the organ, as at Grantham, over the entrance door of the nave. The church is suffocated, as well as disfigured, by pews. I saw several, in the south aisle, which could be scarcely less than eight feet in height,—a wooden tomb,— whence the figure and the voice ofthe clergyman could be neither discerned nor heard. In the galleries, the pew-choking system seems to have no limits; while, hanging over them, may be discovered very strange and bizarre ornaments, in the character of brackets and corbels, attached to the spandrils of the arches ... built some four or five centuries ago. The chancel contains a fine set of old seats, or stalls, wherein the monks of ancient days might have mused and slept, as well as chanted and made responses. These seats, as is usual, turn up; and exhibit occasionally some very clever, as well as curious, carvings in the wood of which they are made. From the last, to the left, on facing the altar, was selected the specimen which heads this chapter of my work. The drawing, in pencil, is by an indigenous artist. There is what may be called much roomy space about the eastern extremity of the church: together with many monuments, of which a very large one, in brass, bears the date of 1320. The library, neither of extent nor importance, is hard by... and to comfort me for a little minute, I opened a royal copy of Walton's Polyglot Bible, and a very respectable large-paper copy of the works of the immortal Joseph Mede. These almost made me forget the ochered screen and the Brobdignagian pews. We now started for Southwell, some eight miles distant. A pair of fresh horses brought us there easily within the hour: and the day continuing to be cheeringly fine, we were infinitely gratified as we approached the precincts of the Minster. On leaving Newark, and rolling over the bridge, across the Trent, you discover, to the left, a large if not magnificent ruin, in the shape of a castle, of which the greater portion is of the seventeenth century, affording frightful evidence of the destructiveness of Cromwell's cannon. Few spots have been more fertile of events, in the civil wars of the seventeenth century, than Newark and its vicinity. It was at Southwell where Charles, in an evil hour, surrendered himself to the Scotch commissioners. The room in which that infatuated act took place, is nearly in its original state, on the left hand of the gateway of the Saracen's-Head inn. The country immediately about Southwell is rich, and diversified with many pretty villas. The Abbey, or Minster, is, on very many accounts, alone worth an express visit from London. It has been sadly treated by Cromwellian fanaticism. The horse-troopers were quartered within the nave, and all attest the period of the earlier parts of the structure. The exterior of the chapter-house, to the left, on entering the north transept, may be classed among the bijouterie of Gothic architecture of the very end of the thirteenth century. Its interior will be presently developed. The first living object upon which mine eyes alighted, on entering the Minster, was Mr. Henry Shaw,* occupied with his magical pencil in copying some seductive capital of the thirteenth century. I was instinctively peeping into the choir or chancel, when Mr. Shaw urged my immediate entrance, and minute attention to everything about me. He was so obliging as to accompany me. Bating a too decided tint of whitewash, this choir is thoroughly gratifying to the eye of the most fastidious antiquary. Its style is early English, in its most perfect form; and the beauty and justness of its proportions make you forget its limited dimensions. "Look at the stalls," exclaimed my instructive cicerone; "you observe all the back-ground is stone fret-work, executed with a delicacy of finish like Mechlin lace." They were even so: and when parts of this intricate sculpture were relieved, as in the olden time, by gold, and blue, and red, what a blaze of splendour would present itself to the eye of the spectator! I was now rivetted to the stained glass window, above the altar. This window, at once the monument of individual spirit and individual taste,f is, to my eye, the most beautiful and perfect specimen I have ever beheld. Larger windows, and loftier, and * Of Great Russell Street, London; and author of many most beautiful and instructive works illustrative of the architecture and furniture of ancient times. f The "individual spirit and individual taste" of Henry Gaily Knight, Esq. M.P. of Furbeck Hall, Bawtry, Yorkshire. He purchased the window entire, of the church of , in Flanders, at the cost of £800; and presented it to the Minster at Southwell, as the inscription testifies. broken into more dazzling compartments, I have seen, both at home and abroad; but anything so systematic, so sobered by propriety of choice of subject, so pressing upon the heart, as well as spiritstirring to the imagination, I have nowhere else seen. Add to this, the colours are fervid and intense; and what Mr. Shaw bade meparticularly remark, the ruby is even shaded by ruby. I seemed to be entranced, while gazing upon this matchless window, whether as a whole, or in parts; and was secretly wishing, if not sighing, that I might obtain a copy of the last compartment of it, which exhibits our Saviour exposed to the scoffs of the multitude. There is a profile of an infuriated monster, in the shape of a man, which beggars all description—for hideousness of feature and bitterness of insult. In the immediate neighbourhood of this glorious specimen of the art of other days, are suspended several stained coats of arms of the prebendaries of the Minster, and one small window is entirely filled with them. Somehow or other they seem to be ill and inharmoniously placed here. Mr. Miller, the facile princeps of all modern stainers of glass—and who has immortalized himself by his window at Doncaster —would do well to suggest a different arrangement for these modern appendages. Meanwhile, unconsciously to myself, there stood by me a middle-sized, quiet-looking, and respectably attired individual, in the character of a verger or sexton. He followed me, as my shadow, into every recess, and on every turning. While seated, standing, or walking, there was my man: and now, the G tinkling bell in the great tower giving notice of the vesper service, and a few straggling choristers and singing men bustling into their seats, I took my leave of this most enchanting spot; and followed by my "shadow," turned to the right. "My good friend, shew me your chapter house." "It is strait before you, Sir. If you don't object to Books, it may interest you." This was the first time he had broken silence :—and oh! what a speech to utter! Could I ever forget the utterer, or the thing uttered? Nevertheless, I continued, rather smiling than frowning, till the divided entrance of the chapter library presented itself. And such an entrance !—so delicate, rich, and rare: like that of Salisbury in form, but infinitely beyond it in subtle art, and delicate, though of more diminutive, proportion. It was worthy of the window, but of a considerably anterior date; and the window might be proud of such a neighbour. But the interior dissipated every vestige of illusion. No embossed bindings; no knobs; no clasps; no pasted vellum fillets; nothing uncut; and only one tome membranaceous. This latter was a large fine MS. Bible, in folio; which had once belonged (as its Latin inscription testified) " to the Convent of the Common Brethren largest large paper copy of the Matthew Paris of 1644, of which I ever turnedsover the leaves. There is a tolerably good and pains-taking catalogue; but the books are chiefly modern, and referred to by means of a letter or figure, pasted upon their backs... a sight, sufficient to cause swooning in the breast of more than one legitimate Roxburgher! My " shadow" still following me, I reverted to the entrance door; and affording him substantial proof that there was no national suspension of specie, he made me a measured or gradually lowering bow, adding, that "he should be most happy to see me at all times." I doubted not the sincerity of the remark ;—but how could I ever get over his cruel insinuation about my fondness or not for Books ? The precincts of Southwell Abbey are replete with antiquarian objects of attraction. There is a large deserted mansion, once a palace of the Archbishop of York; who, in former times, used to come and make joyaunce therein, by a lengthy and hospitable residence; but now, all is silence and desolation. The owl and the bat by night,—the blackbird and throstle by day,—seem to have alternate and unmolested possession. There is only one prebendal residence, which, as at York, is occupied by the Prebendary in rotation: but to an appetite hungry and thirsty after antiquarian lore, I can conceive few spots exciting a keener relish, or affording a more substantial meal, than the Minster Of Southwell.

Next week: Lincoln Cathedral